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NowDoINotLikeThat

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Posts posted by NowDoINotLikeThat

  1. Can bet Mark Hughes will have QPR fired up against us.

    Wins are like hens teeth under McLeish - 6 in 22 league games .

    So going from his dismal win % record he wont win another game for a while.

    A draw is best i expect against QPR.

    As for relegation .

    No not even this relegation expert could manage that with us yet.

    We're just bumble along in the dunces half in the league going nowhere.

    He could very well relegate us next season tho .

  2. Shit manager and shit record in Premiership.

    All we can hope is he stops being shit .

    Our last back to back wins was under Gary MacAllistair last season.

    6 wins in 22 games .

    The above says it all.

    Away form has improved result wise in last month but ppl talking of a turnaround over a win against Wolves - a game which easily could have gone either way and we were incredibly lucky only to be 2-1 down at halftime shows how far we have regressed that fans expectations are that low now.

  3. For a pretty fanatical music fan, I must have cloth ears.

    Because I can rarely, if ever, hear any of this stuff that people get so agitated about. I mean, if I like a song, I like the song. I don't really give a flying **** whether I listen to it on CD, mp3, vinyl, cassette, top-end hi-fi, mono record player, transistor radio, whatever. If I can hear the words and the tune, I'm not remotely bothered about wow, flutter, hiss, rumble, or even the odd scratch. Remastering? Dolby? Meh.

    You're not listening to music, you're listening to SOUND.

    Same goes for TV, HDTV, Blue-Ray, aspect ratios and all that shite, as it happens. The best films are black and white anyway.

    Well i am not talking about music format (CD Vs vinyl Vs MP3 Vs FLAC Vs whatever).

    Im talking about pretty blatant shit mastering /remastering. Which is noticeable.

  4. I agree. I think they do it for radio. So the songs sound "punchy" on the radio and it stands out.

    Trouble is, they're all at it, and it overpowers everything.

    Yeh is pressumably done for radio.

    Thing is youd forgive a rookie mastering but Bob Ludwig has been mastering countless records since the 70s or 80s. Including the original In Utero.

    It is sooo annoying. Especially when done retrospectively for a remaster. It clips all over the place.

    An album like Nirvana's - Nevermind relied a fair bit on its dynamics -the loud /quiet thing.

    To have a rematser where its all compressed to just LOUD is just stupid.

  5. im no audiophile but the Nirvana Nevermind remaster of last year is noticably woeful

    Its been brickwalled - Any of its dynamics completely brickwalled

    when is this stupid "loudness wars" going to end?

    Thing is it was remastered by Bob Ludwig -who actually has a fine reputation in mastering over decades - and has mastered all sorts before (Rolling Stones , Queen , Madonna ,McCartney etc) including Nirvana before and himself has been a vocal critic of loudness wars things himself

    And yet ....hes completely brickwalled the Nevermind re-master to stupid degrees! (tho admitedly have heard worse)

    This stupid brickwalling of stuff must be insisted on by record companies

    Its **** madness

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