choffer Posted May 30, 2019 VT Supporter Share Posted May 30, 2019 4 Link to comment Share on other sites More sharing options...
Xann Posted June 7, 2019 Share Posted June 7, 2019 Was invited to a work function yesterday. Usually dull affairs to be ducked if possible, but was pleasantly surprised. The speaker, Joe, AKA INSA, was a really interesting guy. INSA 2 Link to comment Share on other sites More sharing options...
Popular Post Xann Posted July 4, 2019 Popular Post Share Posted July 4, 2019 6 Link to comment Share on other sites More sharing options...
useless Posted July 7, 2019 Share Posted July 7, 2019 I was watching a documentary on Dante Gabriel Rossetti a while ago, and the presenter Andrew Graham-Dixon, said of one of his unfinished paintings, that it was more a drawing that had been colored in rather than an actual painting, and I didn't really know what that meant, it kind of took me by surprise, not that I didn't know what it meant, but that there's more to a painting than just the drawing and the colors. Link to comment Share on other sites More sharing options...
useless Posted July 7, 2019 Share Posted July 7, 2019 (edited) This dragon was painted in around 1763 by Soga Shōhaku, I never would have imagined that dragons were painted like this back then, it's face reminds me of a cartoon. Edited July 7, 2019 by useless It's called Dragon and Clouds, and stretches across eight panels. 1 Link to comment Share on other sites More sharing options...
choffer Posted July 8, 2019 VT Supporter Share Posted July 8, 2019 ^^ Would be better if someone had coloured it in Link to comment Share on other sites More sharing options...
useless Posted July 8, 2019 Share Posted July 8, 2019 When you look at some of the masterpieces through the history of art, coloring in is a very underrated skill. 2 Link to comment Share on other sites More sharing options...
A'Villan Posted July 9, 2019 Share Posted July 9, 2019 On 08/07/2019 at 01:42, useless said: This dragon was painted in around 1763 by Soga Shōhaku, I never would have imagined that dragons were painted like this back then, it's face reminds me of a cartoon. I don't know if parody is the correct term for it, however during the days of the samurai, these types of performances were part of Japanese culture. 1 Link to comment Share on other sites More sharing options...
A'Villan Posted July 9, 2019 Share Posted July 9, 2019 As mentioned earlier, I was a graffiti writer for a decade (don't worry I did my community service as a consequence, nearly got incarcerated for it). Some tattoo design too. Not one of mine, just sharing some aerosol can love! Link to comment Share on other sites More sharing options...
Xann Posted July 12, 2019 Share Posted July 12, 2019 Link to comment Share on other sites More sharing options...
Xann Posted July 17, 2019 Share Posted July 17, 2019 Philip Hodas - Pop Culture Dystopia 3 Link to comment Share on other sites More sharing options...
Xann Posted August 13, 2019 Share Posted August 13, 2019 Spoiler 4 Link to comment Share on other sites More sharing options...
bickster Posted August 13, 2019 Moderator Share Posted August 13, 2019 The shadow on the wall is particularly good Link to comment Share on other sites More sharing options...
choffer Posted August 13, 2019 VT Supporter Share Posted August 13, 2019 And people laughed when Boris said he enjoyed painting buses. Link to comment Share on other sites More sharing options...
A'Villan Posted August 15, 2019 Share Posted August 15, 2019 Link to comment Share on other sites More sharing options...
A'Villan Posted August 15, 2019 Share Posted August 15, 2019 Link to comment Share on other sites More sharing options...
A'Villan Posted August 15, 2019 Share Posted August 15, 2019 Link to comment Share on other sites More sharing options...
blandy Posted August 15, 2019 Moderator Share Posted August 15, 2019 On 13/08/2019 at 16:27, bickster said: The shadow on the wall is particularly good The bloke's feet aren't there (admittedly hard to do) but aside from that, the highest, leftmost "shadow" is all wrong - the bit directly above "the bus". 5/10 WNB (would not board) Link to comment Share on other sites More sharing options...
sne Posted August 15, 2019 Share Posted August 15, 2019 Since I grew up reading fantasy books and playing role playing games I really liked the old Michael Whelan stuff and Ola Larson is following is his footsteps. He also does some really nice album covers Link to comment Share on other sites More sharing options...
Xann Posted August 20, 2019 Share Posted August 20, 2019 Quote Women of Central Asia have been weaving hand-made rugs of intricate design for thousands of years. But in 1979, the carpets began to change radically. The Soviet invasion of Afghanistan displaced more than a million citizens and devastated the region. Its effects impacted everyday life so deeply that women in Afghanistan and those living as refugees in Pakistan and Iran began to incorporate icons of war into their carpets. Flowers, birds, and decorative knots were replaced by machine guns, grenades, helicopters, and tanks in what were otherwise traditional weavings. These symbols were at first subtle additions, and were later emphasized for a niche market of Western collectors. After a brutal decade of guerilla warfare in which many civilians were killed, the Soviets withdrew from Afghanistan, but a civil war continued between the Afghan army and the Mujahideen throughout the 1990s. By the end of the decade, the Taliban had seized control; the extremist group quickly implemented a severe interpretation of Sharia law. Women’s economic and social independence, as well as their basic access to public life, was grievously curtailed by the practice of purdah, or female seclusion. Aniconism was also decreed based on a hadith, or Muslim religious text referring to the life of prophet Muhammed; depicting living creatures became idolatrous. Photography—in addition to most art forms—was also banned. In this context, the flowers and fauna incorporated into many traditional carpet patterns became riskier. Strangely, parachutes and bombs easily took their place. War in the region continued with the American invasion in 2001. Iconography in propaganda leaflets dropped from U.S. military aircrafts began to appear in the women’s carpets, including the image of the burning Twin Towers. Despite decades of war, ancient pattern techniques that can take months or years to complete are still passed from mother to daughter. Testimony from the makers of these carpets is difficult to obtain, as many of these works remain unattributed, and the female weavers lack easy access to modes of international communication. But the largest online archive of Afghan war rugs, maintained by New York–based artist Kevin Sudeith, offers information and an online store. Still, the weavers’ authorship is often lost when these works go to market, yet their masterful compositions reveal a dark humor and complex commentary on contemporary life. Artsy 2 Link to comment Share on other sites More sharing options...
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